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Antoine Clamaran’s dance track Gold, released in 2009, remains a fixture in music databases. Explore the song's 128 BPM tempo and production history.
The dance track "Gold," produced by French DJ Antoine Clamaran, maintains a consistent presence in music archives as a 128 BPM production released in 2009 [5]. While recent digital activity has seen newer tracks with similar titles emerge, the original composition remains a distinct reference point for listeners and data trackers [1, 2].
| At a glance | |
|---|---|
| Original Release | 2009 |
| Tempo | 128 BPM |
| Key | C Major |
| Track Length | 3:20 |
"Gold" was released on the album Spotlight under the A Audio label [5]. The track features a tempo of 128 beats per minute (BPM) and is composed in the key of C major [5]. The songwriting credits for the track are shared by Antoine Clamaran, Laurent Pautrat, Sandy Julien Wilhelm, and Omondi Olwago [4, 5].
The song’s lyrical content focuses on themes of personal resilience and self-worth, featuring recurring lines such as "You're gold, live it up to your dreams" [3, 5]. The structure of the song has been documented across various platforms, including karaoke services and lyric databases, which identify it as a staple of Clamaran’s dance-genre catalog [4, 5, 6].
In the current digital landscape, the title "Gold" is shared by multiple musical works, leading to distinct data profiles for different releases. For instance, a track titled "Movin' To The Sun" was released by Make The Girls Dance Records in June 2026, while a separate single titled "FREAKED OUT" was released in June 2026 by the label broke [1, 2].
These newer releases operate at different technical specifications than the 2009 Clamaran track; the 2026 "Movin' To The Sun" release is recorded at 125 BPM, and the 2026 "FREAKED OUT" single is recorded at 85 BPM [1, 2]. These metrics—including melodicness, acousticness, valence, danceability, and energy—are used by digital platforms to categorize and track listener engagement patterns [1, 2].
The longevity of the 2009 track within music databases highlights the importance of precise metadata in distinguishing between legacy dance hits and contemporary releases. As digital discovery algorithms continue to refine how they categorize tracks by tempo and energy, the distinction between Clamaran’s original composition and newer works remains a primary focus for data accuracy.
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