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Netflix's Monster anthology returns Sept 17, 2026, with Lizzie Borden story starring Ella Beatty, exploring the 1892 axe murders with dark comedy.
Netflix has set a September 17, 2026 premiere for Monster: The Lizzie Borden Story, the fourth season of its true crime anthology. This installment marks the series' first female subject and targets the enduring cultural fascination with the 1892 axe murders [1, 2].
| At a glance | |
|---|---|
| Release Date | Sept 17, 2026 |
| Episodes | 8 |
| Lead Star | Ella Beatty |
The eight-episode season stars Ella Beatty in her first leading television role as the acquitted 19th-century figure, alongside Charlie Hunnam as her father and Rebecca Hall as her stepmother [1, 3]. Co-creator Ian Brennan describes the narrative as a "feminist" story utilizing dark comedy to examine the treatment of women in the Victorian era, a departure from the strictly historical record [1, 2]. The production incorporates anachronistic elements, including needle drops from artists like Kate Bush and Wet Leg, a stylistic choice consistent with previous Ryan Murphy projects [2]. While based on the real 1892 Fall River homicides, the show dramatizes a romantic relationship between Borden and her maid, a claim not supported by historical evidence but defended by Brennan as a creative interpretation [1, 2].
Netflix has labeled this season the anthology's "wildest installment yet," positioning it to capitalize on the viewership success of previous seasons covering Jeffrey Dahmer, the Menendez brothers, and Ed Gein [2, 3]. The release continues the streamer's strategy of high-profile true crime content, though it faces competition in the Borden subgenre from prior adaptations like the 2018 film Lizzie and Lifetime's 2014 movie [2]. Filming did not take place in the historical Fall River location, a deviation from some local expectations but common for large-scale productions [2].
The season will test whether the anthology format can sustain its momentum with a historical figure whose notoriety relies less on recent news cycles and more on enduring folklore.
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